Josh Plasse’s The Pirate King is an admirable challenge for a first-time director. The film takes on heavy subject matter, but it’s the performances that truly stick the landing, making this a heartfelt, bittersweet, and ultimately powerful story. Tackling PTSD and the struggles veterans face in overcoming it is no easy feat, but Plasse approaches it with sincerity and intention, doing his best to drive that message home.

The story follows Todd (Robb Riggle), a struggling Marine veteran, recovering addict, and a man battling severe PTSD. His life is unraveling and he’s in the middle of a divorce and on the verge of losing custody of his daughter, Emmylou (Adele Abinante). His volatility, particularly in his interactions with his ex-wife Tess (Elizabeth Tulloch), puts his already fragile relationship with his daughter at risk. The thought of losing her threatens to send him into a deeper spiral, pushing him toward desperate measures to keep the one thing holding him together.

Emmylou becomes fascinated with a pirate reenactment group, and in an effort to reconnect with her and prove he can be the father she needs, Todd decides to join in, embracing the role of a buccaneer. What begins as a way to bond soon becomes something more. The group offers Todd an unexpected outlet, allowing him to process his emotions and find a sense of belonging among this ragtag crew. Along the way, he forms a meaningful connection with Laura (Jordana Brewster), who helps him rediscover joy and reminds him what love and friendship can look like.

While the film occasionally drags and its message can feel muddled at times, it’s the emotional core and the cast’s commitment that leave a lasting impression. The Pirate King isn’t afraid to explore the vulnerability of its characters, especially in how it portrays veterans who are so often overlooked. Robb Riggle delivers one of his most honest and affecting performances to date, grounding the film in something deeply human.

At its heart, the film is about finding support in unexpected places. When the people you rely on most aren’t there, connection can come from elsewhere even from something as unconventional as a pirate reenactment group. It’s a reminder that we are seen, that we are loved, and that there’s always something worth holding on to. Our past doesn’t define us, and our struggles don’t have to be faced alone.

The Pirate King premiered at SXSW 2026.